An interesting choice of The Arrival by Shaun Tan for best Art Book, which illustrates the difficulties awards can have capturing works within neat categories. The Arrival is an illustrated book that tells a lovely story. It also won the 2006 Best Young Adult Short and the Golden Aurealis for short story, which wasn't a perfect fit either. There was some criticism of the choice at the time and the AAs have added a new category - Best Illustrated Book/Graphic Novel to cater for broader ways of telling stories.
But I'm wondering whether awards should have a generic 'other' category that catches different types of story-telling as they emerge. Two years ago it might have been an illustrated book that told the most engaging story of the year but it could have just as easily been a ten part SMS short story or a fake science-fictional blog. I can understand why award administrators don't want to create a new category for each type of story-telling that comes along. And while I think something as good as The Arrival should be awarded even if it has to be in a category that isn't a perfect fit, maybe a broader catch-all category is worth considering.
The full list of Locus Award winners is:
SF NOVEL: The Yiddish Policemen's Union, Michael Chabon (HarperCollins)
FANTASY NOVEL: Making Money, Terry Pratchett (Doubleday UK; HarperCollins)
YOUNG ADULT BOOK: Un Lun Dun, China MiƩville (Ballantine Del Rey; Macmillan UK)
FIRST NOVEL: Heart-Shaped Box, Joe Hill (Morrow; Gollancz)
NOVELLA: "After the Siege", Cory Doctorow (The Infinite Matrix Jan 2007)
NOVELETTE: "The Witch's Headstone", Neil Gaiman (Wizards)
SHORT STORY: "A Small Room in Koboldtown", Michael Swanwick (Asimov's Apr/May 2007)
COLLECTION: The Winds of Marble Arch and Other Stories, Connie Willis (Subterranean)
ANTHOLOGY: The New Space Opera, Gardner Dozois & Jonathan Strahan, eds. (Eos)
NON-FICTION: Breakfast in the Ruins, Barry N. Malzberg (Baen)
ART BOOK: The Arrival, Shaun Tan (Lothian 2006; Scholastic)
EDITOR: Ellen Datlow
MAGAZINE: F&SF
PUBLISHER: Tor
ARTIST: Charles Vess
Have returned safely from the other side of the continent and my first Swancon.
I took the opportunity on Thursday to visit my sister and her family who live in the 'burbs of Perth. When I returned to the hotel late Thursday night I found the bar closed and most people ready to head on out of there. So the con really didn't kick off for me until Friday. And I had a slow first few days, which I used mostly to catch up with old buddies including Ben, Cat, Launz (Dirk), Sean, Chris, Marianne (when she arrived), Lee, Lyn, Matt, Andy and some other former Clarion South students. I also spent time picking the brains of both Justin Ackroyd and Jonathan Strahan who have also been World Fantasy Award judges. Thanks guys. Made lots of new friends too once I started opening up and being more social.
I found the programming a little dull. I'm generally a bit more open to attending con panels than some of those jaded souls who quite happily announce 'I don't go to cons for the panels.' Swancon seems to be a bit more focussed on the panels that appeal to the fannish community - which is fine - but I would have preferred a few more panels on professional development for writers and some broader stuff on random cool and interesting topics. But I think most attendees went away pretty happy.
I was also surprised that there doesn't seem to be much of a book-buying culture at Swancon. I don't know if this is a chicken-and-egg type issue because I understand Swancon committees have taken the decision to do away with a dedicated dealer's room and have a market day instead. Some brave souls set up in a small (and dark) space and I'm told sales were pretty slow. Again, it probably relates to having such a strong fan community in attendance.
The launches were all enjoyable. I only missed one and that was because a panel I was on was programmed against it. Regular readers will be pleased to know that the 'mystery' launch went well. It was held in the hotel carpark, which suited The Worker's Paradise particularly well. But Russell and Alisa did a good job of getting people there and attracted a crowd of 50 to 60 people. And sales were about normal for a con launch, so the promotion certainly didn't hinder people buying copies of either TWP or 2012.
The awards went well and I was particularly pleased to see Cat Sparks recognised for her writing (though the Aurealis Awards got there first). My highlight of the awards night was Russell B Farr's Best Collection win for Fantastic Wonder Stories. He tied with Jonathan Strahan and Gardner Dozois for The New Space Opera, which was kinda fitting. And it was great to see ASIM recognised across a number of categories, especially Tehani's win.
I suspect the biggest hit to come out of the convention however, will be British scriptwriter and author Rob Shearman. Rob made a big impression thanks to his intelligence, good humour and willingness to have a good old chat. And he felt so welcome at the con that he pretty much had everyone feeling they'd personally been responsible for introducing an old friend into a wonderful new community. Hearing Rob read the story 'So Proud' from his collection Tiny Deaths was one of the highlights of the con for me. If you go here you can download an MP3 of Rob reading the story and buy a copy of the book. Go listen to it now.
Anyway, that was Swancon 2008 for me. Bring on the Adelaide Natcon in 2009.
Of even more joy though is Jonathan's nomination in the Best Professional Editor Short Form category. To my reckoning this is the first time an Australian editor has ever been nominated for a Best Professional Editor Hugo. And it's a well-deserved nomination. Jonathan has done a lot of hard yards and on the way helped (probably) hundreds of authors he's published. The nomination is a real credit.
I'm heading to Perth for Swancon, so I've been keeping up with where the Ditmars are at. The shortlist has been announced. You can read it here. I think the short story field is a pretty stiong. I've got a couple of pieces to catch up on before I make any final decision. Though I think Fantastic Wonder Stories, edited by Russell B. Farr, is the best of the 'collected work' nominations.
And in other great news, the wonderful Chris Lawson has moved to Queensland.
Full sum-up later.
